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Home > Two Gentlemen of Verona > ACT II - SCENE I. Milan. The DUKE's palace.

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ACT II - SCENE I. Milan. The DUKE's palace.
Enter VALENTINE and SPEED

SPEED
1    Sir, your glove.
VALENTINE
2    Not mine; my gloves are on.
SPEED
3    Why, then, this may be yours, for this is but one.
VALENTINE
4    Ha! let me see: ay, give it me, it's mine:
5    Sweet ornament that decks a thing divine!
6    Ah, Silvia, Silvia!
SPEED
7    Madam Silvia! Madam Silvia!
VALENTINE
8    How now, sirrah?
SPEED
9    She is not within hearing, sir.
VALENTINE
10   Why, sir, who bade you call her?
SPEED
11   Your worship, sir; or else I mistook.
VALENTINE
12   Well, you'll still be too forward.
SPEED
13   And yet I was last chidden for being too slow.
VALENTINE
14   Go to, sir: tell me, do you know Madam Silvia?
SPEED
15   She that your worship loves?
VALENTINE
16   Why, how know you that I am in love?
SPEED
17   Marry, by these special marks: first, you have
18   learned, like Sir Proteus, to wreathe your arms,
19   like a malecontent; to relish a love-song, like a
20   robin-redbreast; to walk alone, like one that had
21   the pestilence; to sigh, like a school-boy that had
22   lost his A B C; to weep, like a young wench that had
23   buried her grandam; to fast, like one that takes
24   diet; to watch like one that fears robbing; to
25   speak puling, like a beggar at Hallowmas. You were
26   wont, when you laughed, to crow like a cock; when you
27   walked, to walk like one of the lions; when you
28   fasted, it was presently after dinner; when you
29   looked sadly, it was for want of money: and now you
30   are metamorphosed with a mistress, that, when I look
31   on you, I can hardly think you my master.
VALENTINE
32   Are all these things perceived in me?
SPEED
33   They are all perceived without ye.
VALENTINE
34   Without me? they cannot.
SPEED
35   Without you? nay, that's certain, for, without you
36   were so simple, none else would: but you are so
37   without these follies, that these follies are within
38   you and shine through you like the water in an
39   urinal, that not an eye that sees you but is a
40   physician to comment on your malady.
VALENTINE
41   But tell me, dost thou know my lady Silvia?
SPEED
42   She that you gaze on so as she sits at supper?
VALENTINE
43   Hast thou observed that? even she, I mean.
SPEED
44   Why, sir, I know her not.
VALENTINE
45   Dost thou know her by my gazing on her, and yet
46   knowest her not?
SPEED
47   Is she not hard-favoured, sir?
VALENTINE
48   Not so fair, boy, as well-favoured.
SPEED
49   Sir, I know that well enough.
VALENTINE
50   What dost thou know?
SPEED
51   That she is not so fair as, of you, well-favoured.
VALENTINE
52   I mean that her beauty is exquisite, but her favour infinite.
SPEED
53   That's because the one is painted and the other out
54   of all count.
VALENTINE
55   How painted? and how out of count?
SPEED
56   Marry, sir, so painted, to make her fair, that no
57   man counts of her beauty.
VALENTINE
58   How esteemest thou me? I account of her beauty.
SPEED
59   You never saw her since she was deformed.
VALENTINE
60   How long hath she been deformed?
SPEED
61   Ever since you loved her.
VALENTINE
62   I have loved her ever since I saw her; and still I
63   see her beautiful.
SPEED
64   If you love her, you cannot see her.
VALENTINE
65   Why?
SPEED
66   Because Love is blind. O, that you had mine eyes;
67   or your own eyes had the lights they were wont to
68   have when you chid at Sir Proteus for going
69   ungartered!
VALENTINE
70   What should I see then?
SPEED
71   Your own present folly and her passing deformity:
72   for he, being in love, could not see to garter his
73   hose, and you, being in love, cannot see to put on your hose.
VALENTINE
74   Belike, boy, then, you are in love; for last
75   morning you could not see to wipe my shoes.
SPEED
76   True, sir; I was in love with my bed: I thank you,
77   you swinged me for my love, which makes me the
78   bolder to chide you for yours.
VALENTINE
79   In conclusion, I stand affected to her.
SPEED
80   I would you were set, so your affection would cease.
VALENTINE
81   Last night she enjoined me to write some lines to
82   one she loves.
SPEED
83   And have you?
VALENTINE
84   I have.
SPEED
85   Are they not lamely writ?
VALENTINE
86   No, boy, but as well as I can do them. Peace!
87   here she comes.
SPEED
Aside
88    O excellent motion! O exceeding puppet!
89   Now will he interpret to her.
Enter SILVIA

VALENTINE
90   Madam and mistress, a thousand good-morrows.
SPEED
Aside
91    O, give ye good even! here's a million of manners.
SILVIA
92   Sir Valentine and servant, to you two thousand.
SPEED
Aside
93    He should give her interest and she gives it him.
VALENTINE
94   As you enjoin'd me, I have writ your letter
95   Unto the secret nameless friend of yours;
96   Which I was much unwilling to proceed in
97   But for my duty to your ladyship.
SILVIA
98   I thank you gentle servant: 'tis very clerkly done.
VALENTINE
99   Now trust me, madam, it came hardly off;
100  For being ignorant to whom it goes
101  I writ at random, very doubtfully.
SILVIA
102  Perchance you think too much of so much pains?
VALENTINE
103  No, madam; so it stead you, I will write
104  Please you command, a thousand times as much; And yet--
SILVIA
105  A pretty period! Well, I guess the sequel;
106  And yet I will not name it; and yet I care not;
107  And yet take this again; and yet I thank you,
108  Meaning henceforth to trouble you no more.
SPEED
Aside
109   And yet you will; and yet another 'yet.'
VALENTINE
110  What means your ladyship? do you not like it?
SILVIA
111  Yes, yes; the lines are very quaintly writ;
112  But since unwillingly, take them again.
113  Nay, take them.
VALENTINE
114  Madam, they are for you.
SILVIA
115  Ay, ay: you writ them, sir, at my request;
116  But I will none of them; they are for you;
117  I would have had them writ more movingly.
VALENTINE
118  Please you, I'll write your ladyship another.
SILVIA
119  And when it's writ, for my sake read it over,
120  And if it please you, so; if not, why, so.
VALENTINE
121  If it please me, madam, what then?
SILVIA
122  Why, if it please you, take it for your labour:
123  And so, good morrow, servant.
Exit

SPEED
124  O jest unseen, inscrutable, invisible,
125  As a nose on a man's face, or a weathercock on a steeple!
126  My master sues to her, and she hath
127  taught her suitor,
128  He being her pupil, to become her tutor.
129  O excellent device! was there ever heard a better,
130  That my master, being scribe, to himself should write
131  the letter?
VALENTINE
132  How now, sir? what are you reasoning with yourself?
SPEED
133  Nay, I was rhyming: 'tis you that have the reason.
VALENTINE
134  To do what?
SPEED
135  To be a spokesman for Madam Silvia.
VALENTINE
136  To whom?
SPEED
137  To yourself: why, she wooes you by a figure.
VALENTINE
138  What figure?
SPEED
139  By a letter, I should say.
VALENTINE
140  Why, she hath not writ to me?
SPEED
141  What need she, when she hath made you write to
142  yourself? Why, do you not perceive the jest?
VALENTINE
143  No, believe me.
SPEED
144  No believing you, indeed, sir. But did you perceive
145  her earnest?
VALENTINE
146  She gave me none, except an angry word.
SPEED
147  Why, she hath given you a letter.
VALENTINE
148  That's the letter I writ to her friend.
SPEED
149  And that letter hath she delivered, and there an end.
VALENTINE
150  I would it were no worse.
SPEED
151  I'll warrant you, 'tis as well:
152  For often have you writ to her, and she, in modesty,
153  Or else for want of idle time, could not again reply;
154  Or fearing else some messenger that might her mind discover,
155  Herself hath taught her love himself to write unto her lover.
156  All this I speak in print, for in print I found it.
157  Why muse you, sir? 'tis dinner-time.
VALENTINE
158  I have dined.
SPEED
159  Ay, but hearken, sir; though the chameleon Love can
160  feed on the air, I am one that am nourished by my
161  victuals, and would fain have meat. O, be not like
162  your mistress; be moved, be moved.
Exeunt

< (Previous) ACT I, SCENE IIIACT II, II (Next) >
Scene Index
ACT I
  • SCENE I
  • SCENE II
  • SCENE III


  • ACT II
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • SCENE V
  • SCENE VI
  • SCENE VII


  • ACT III
  • SCENE I
  • SCENE II


  • ACT IV
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV


  • ACT V
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV

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