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Home > Twelfth Night > ACT I - SCENE V. OLIVIA'S house.

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ACT I - SCENE V. OLIVIA'S house.
Enter MARIA and Clown

MARIA
1    Nay, either tell me where thou hast been, or I will
2    not open my lips so wide as a bristle may enter in
3    way of thy excuse: my lady will hang thee for thy absence.
Clown
4    Let her hang me: he that is well hanged in this
5    world needs to fear no colours.
MARIA
6    Make that good.
Clown
7    He shall see none to fear.
MARIA
8    A good lenten answer: I can tell thee where that
9    saying was born, of 'I fear no colours.'
Clown
10   Where, good Mistress Mary?
MARIA
11   In the wars; and that may you be bold to say in your foolery.
Clown
12   Well, God give them wisdom that have it; and those
13   that are fools, let them use their talents.
MARIA
14   Yet you will be hanged for being so long absent; or,
15   to be turned away, is not that as good as a hanging to you?
Clown
16   Many a good hanging prevents a bad marriage; and,
17   for turning away, let summer bear it out.
MARIA
18   You are resolute, then?
Clown
19   Not so, neither; but I am resolved on two points.
MARIA
20   That if one break, the other will hold; or, if both
21   break, your gaskins fall.
Clown
22   Apt, in good faith; very apt. Well, go thy way; if
23   Sir Toby would leave drinking, thou wert as witty a
24   piece of Eve's flesh as any in Illyria.
MARIA
25   Peace, you rogue, no more o' that. Here comes my
26   lady: make your excuse wisely, you were best.
Exit

Clown
27   Wit, an't be thy will, put me into good fooling!
28   Those wits, that think they have thee, do very oft
29   prove fools; and I, that am sure I lack thee, may
30   pass for a wise man: for what says Quinapalus?
31   'Better a witty fool, than a foolish wit.'
Enter OLIVIA with MALVOLIO
32   God bless thee, lady!
OLIVIA
33   Take the fool away.
Clown
34   Do you not hear, fellows? Take away the lady.
OLIVIA
35   Go to, you're a dry fool; I'll no more of you:
36   besides, you grow dishonest.
Clown
37   Two faults, madonna, that drink and good counsel
38   will amend: for give the dry fool drink, then is
39   the fool not dry: bid the dishonest man mend
40   himself; if he mend, he is no longer dishonest; if
41   he cannot, let the botcher mend him. Any thing
42   that's mended is but patched: virtue that
43   transgresses is but patched with sin; and sin that
44   amends is but patched with virtue. If that this
45   simple syllogism will serve, so; if it will not,
46   what remedy? As there is no true cuckold but
47   calamity, so beauty's a flower. The lady bade take
48   away the fool; therefore, I say again, take her away.
OLIVIA
49   Sir, I bade them take away you.
Clown
50   Misprision in the highest degree! Lady, cucullus non
51   facit monachum; that's as much to say as I wear not
52   motley in my brain. Good madonna, give me leave to
53   prove you a fool.
OLIVIA
54   Can you do it?
Clown
55   Dexterously, good madonna.
OLIVIA
56   Make your proof.
Clown
57   I must catechise you for it, madonna: good my mouse
58   of virtue, answer me.
OLIVIA
59   Well, sir, for want of other idleness, I'll bide your proof.
Clown
60   Good madonna, why mournest thou?
OLIVIA
61   Good fool, for my brother's death.
Clown
62   I think his soul is in hell, madonna.
OLIVIA
63   I know his soul is in heaven, fool.
Clown
64   The more fool, madonna, to mourn for your brother's
65   soul being in heaven. Take away the fool, gentlemen.
OLIVIA
66   What think you of this fool, Malvolio? doth he not mend?
MALVOLIO
67   Yes, and shall do till the pangs of death shake him:
68   infirmity, that decays the wise, doth ever make the
69   better fool.
Clown
70   God send you, sir, a speedy infirmity, for the
71   better increasing your folly! Sir Toby will be
72   sworn that I am no fox; but he will not pass his
73   word for two pence that you are no fool.
OLIVIA
74   How say you to that, Malvolio?
MALVOLIO
75   I marvel your ladyship takes delight in such a
76   barren rascal: I saw him put down the other day
77   with an ordinary fool that has no more brain
78   than a stone. Look you now, he's out of his guard
79   already; unless you laugh and minister occasion to
80   him, he is gagged. I protest, I take these wise men,
81   that crow so at these set kind of fools, no better
82   than the fools' zanies.
OLIVIA
83   Oh, you are sick of self-love, Malvolio, and taste
84   with a distempered appetite. To be generous,
85   guiltless and of free disposition, is to take those
86   things for bird-bolts that you deem cannon-bullets:
87   there is no slander in an allowed fool, though he do
88   nothing but rail; nor no railing in a known discreet
89   man, though he do nothing but reprove.
Clown
90   Now Mercury endue thee with leasing, for thou
91   speakest well of fools!
Re-enter MARIA

MARIA
92   Madam, there is at the gate a young gentleman much
93   desires to speak with you.
OLIVIA
94   From the Count Orsino, is it?
MARIA
95   I know not, madam: 'tis a fair young man, and well attended.
OLIVIA
96   Who of my people hold him in delay?
MARIA
97   Sir Toby, madam, your kinsman.
OLIVIA
98   Fetch him off, I pray you; he speaks nothing but
99   madman: fie on him!
Exit MARIA
100  Go you, Malvolio: if it be a suit from the count, I
101  am sick, or not at home; what you will, to dismiss it.
Exit MALVOLIO
102  Now you see, sir, how your fooling grows old, and
103  people dislike it.
Clown
104  Thou hast spoke for us, madonna, as if thy eldest
105  son should be a fool; whose skull Jove cram with
106  brains! for,--here he comes,--one of thy kin has a
107  most weak pia mater.
Enter SIR TOBY BELCH

OLIVIA
108  By mine honour, half drunk. What is he at the gate, cousin?
SIR TOBY BELCH
109  A gentleman.
OLIVIA
110  A gentleman! what gentleman?
SIR TOBY BELCH
111  'Tis a gentle man here--a plague o' these
112  pickle-herring! How now, sot!
Clown
113  Good Sir Toby!
OLIVIA
114  Cousin, cousin, how have you come so early by this lethargy?
SIR TOBY BELCH
115  Lechery! I defy lechery. There's one at the gate.
OLIVIA
116  Ay, marry, what is he?
SIR TOBY BELCH
117  Let him be the devil, an he will, I care not: give
118  me faith, say I. Well, it's all one.
Exit

OLIVIA
119  What's a drunken man like, fool?
Clown
120  Like a drowned man, a fool and a mad man: one
121  draught above heat makes him a fool; the second mads
122  him; and a third drowns him.
OLIVIA
123  Go thou and seek the crowner, and let him sit o' my
124  coz; for he's in the third degree of drink, he's
125  drowned: go, look after him.
Clown
126  He is but mad yet, madonna; and the fool shall look
127  to the madman.
Exit

Re-enter MALVOLIO

MALVOLIO
128  Madam, yond young fellow swears he will speak with
129  you. I told him you were sick; he takes on him to
130  understand so much, and therefore comes to speak
131  with you. I told him you were asleep; he seems to
132  have a foreknowledge of that too, and therefore
133  comes to speak with you. What is to be said to him,
134  lady? he's fortified against any denial.
OLIVIA
135  Tell him he shall not speak with me.
MALVOLIO
136  Has been told so; and he says, he'll stand at your
137  door like a sheriff's post, and be the supporter to
138  a bench, but he'll speak with you.
OLIVIA
139  What kind o' man is he?
MALVOLIO
140  Why, of mankind.
OLIVIA
141  What manner of man?
MALVOLIO
142  Of very ill manner; he'll speak with you, will you or no.
OLIVIA
143  Of what personage and years is he?
MALVOLIO
144  Not yet old enough for a man, nor young enough for
145  a boy; as a squash is before 'tis a peascod, or a
146  cooling when 'tis almost an apple: 'tis with him
147  in standing water, between boy and man. He is very
148  well-favoured and he speaks very shrewishly; one
149  would think his mother's milk were scarce out of him.
OLIVIA
150  Let him approach: call in my gentlewoman.
MALVOLIO
151  Gentlewoman, my lady calls.
Exit

Re-enter MARIA

OLIVIA
152  Give me my veil: come, throw it o'er my face.
153  We'll once more hear Orsino's embassy.
Enter VIOLA, and Attendants

VIOLA
154  The honourable lady of the house, which is she?
OLIVIA
155  Speak to me; I shall answer for her.
156  Your will?
VIOLA
157  Most radiant, exquisite and unmatchable beauty,--I
158  pray you, tell me if this be the lady of the house,
159  for I never saw her: I would be loath to cast away
160  my speech, for besides that it is excellently well
161  penned, I have taken great pains to con it. Good
162  beauties, let me sustain no scorn; I am very
163  comptible, even to the least sinister usage.
OLIVIA
164  Whence came you, sir?
VIOLA
165  I can say little more than I have studied, and that
166  question's out of my part. Good gentle one, give me
167  modest assurance if you be the lady of the house,
168  that I may proceed in my speech.
OLIVIA
169  Are you a comedian?
VIOLA
170  No, my profound heart: and yet, by the very fangs
171  of malice I swear, I am not that I play. Are you
172  the lady of the house?
OLIVIA
173  If I do not usurp myself, I am.
VIOLA
174  Most certain, if you are she, you do usurp
175  yourself; for what is yours to bestow is not yours
176  to reserve. But this is from my commission: I will
177  on with my speech in your praise, and then show you
178  the heart of my message.
OLIVIA
179  Come to what is important in't: I forgive you the praise.
VIOLA
180  Alas, I took great pains to study it, and 'tis poetical.
OLIVIA
181  It is the more like to be feigned: I pray you,
182  keep it in. I heard you were saucy at my gates,
183  and allowed your approach rather to wonder at you
184  than to hear you. If you be not mad, be gone; if
185  you have reason, be brief: 'tis not that time of
186  moon with me to make one in so skipping a dialogue.
MARIA
187  Will you hoist sail, sir? here lies your way.
VIOLA
188  No, good swabber; I am to hull here a little
189  longer. Some mollification for your giant, sweet
190  lady. Tell me your mind: I am a messenger.
OLIVIA
191  Sure, you have some hideous matter to deliver, when
192  the courtesy of it is so fearful. Speak your office.
VIOLA
193  It alone concerns your ear. I bring no overture of
194  war, no taxation of homage: I hold the olive in my
195  hand; my words are as fun of peace as matter.
OLIVIA
196  Yet you began rudely. What are you? what would you?
VIOLA
197  The rudeness that hath appeared in me have I
198  learned from my entertainment. What I am, and what I
199  would, are as secret as maidenhead; to your ears,
200  divinity, to any other's, profanation.
OLIVIA
201  Give us the place alone: we will hear this divinity.
Exeunt MARIA and Attendants
202  Now, sir, what is your text?
VIOLA
203  Most sweet lady,--
OLIVIA
204  A comfortable doctrine, and much may be said of it.
205  Where lies your text?
VIOLA
206  In Orsino's bosom.
OLIVIA
207  In his bosom! In what chapter of his bosom?
VIOLA
208  To answer by the method, in the first of his heart.
OLIVIA
209  O, I have read it: it is heresy. Have you no more to say?
VIOLA
210  Good madam, let me see your face.
OLIVIA
211  Have you any commission from your lord to negotiate
212  with my face? You are now out of your text: but
213  we will draw the curtain and show you the picture.
214  Look you, sir, such a one I was this present: is't
215  not well done?
Unveiling

VIOLA
216  Excellently done, if God did all.
OLIVIA
217  'Tis in grain, sir; 'twill endure wind and weather.
VIOLA
218  'Tis beauty truly blent, whose red and white
219  Nature's own sweet and cunning hand laid on:
220  Lady, you are the cruell'st she alive,
221  If you will lead these graces to the grave
222  And leave the world no copy.
OLIVIA
223  O, sir, I will not be so hard-hearted; I will give
224  out divers schedules of my beauty: it shall be
225  inventoried, and every particle and utensil
226  labelled to my will: as, item, two lips,
227  indifferent red; item, two grey eyes, with lids to
228  them; item, one neck, one chin, and so forth. Were
229  you sent hither to praise me?
VIOLA
230  I see you what you are, you are too proud;
231  But, if you were the devil, you are fair.
232  My lord and master loves you: O, such love
233  Could be but recompensed, though you were crown'd
234  The nonpareil of beauty!
OLIVIA
235  How does he love me?
VIOLA
236  With adorations, fertile tears,
237  With groans that thunder love, with sighs of fire.
OLIVIA
238  Your lord does know my mind; I cannot love him:
239  Yet I suppose him virtuous, know him noble,
240  Of great estate, of fresh and stainless youth;
241  In voices well divulged, free, learn'd and valiant;
242  And in dimension and the shape of nature
243  A gracious person: but yet I cannot love him;
244  He might have took his answer long ago.
VIOLA
245  If I did love you in my master's flame,
246  With such a suffering, such a deadly life,
247  In your denial I would find no sense;
248  I would not understand it.
OLIVIA
249  Why, what would you?
VIOLA
250  Make me a willow cabin at your gate,
251  And call upon my soul within the house;
252  Write loyal cantons of contemned love
253  And sing them loud even in the dead of night;
254  Halloo your name to the reverberate hills
255  And make the babbling gossip of the air
256  Cry out 'Olivia!' O, You should not rest
257  Between the elements of air and earth,
258  But you should pity me!
OLIVIA
259  You might do much.
260  What is your parentage?
VIOLA
261  Above my fortunes, yet my state is well:
262  I am a gentleman.
OLIVIA
263  Get you to your lord;
264  I cannot love him: let him send no more;
265  Unless, perchance, you come to me again,
266  To tell me how he takes it. Fare you well:
267  I thank you for your pains: spend this for me.
VIOLA
268  I am no fee'd post, lady; keep your purse:
269  My master, not myself, lacks recompense.
270  Love make his heart of flint that you shall love;
271  And let your fervor, like my master's, be
272  Placed in contempt! Farewell, fair cruelty.
Exit

OLIVIA
273  'What is your parentage?'
274  'Above my fortunes, yet my state is well:
275  I am a gentleman.' I'll be sworn thou art;
276  Thy tongue, thy face, thy limbs, actions and spirit,
277  Do give thee five-fold blazon: not too fast:
278  soft, soft!
279  Unless the master were the man. How now!
280  Even so quickly may one catch the plague?
281  Methinks I feel this youth's perfections
282  With an invisible and subtle stealth
283  To creep in at mine eyes. Well, let it be.
284  What ho, Malvolio!
Re-enter MALVOLIO

MALVOLIO
285  Here, madam, at your service.
OLIVIA
286  Run after that same peevish messenger,
287  The county's man: he left this ring behind him,
288  Would I or not: tell him I'll none of it.
289  Desire him not to flatter with his lord,
290  Nor hold him up with hopes; I am not for him:
291  If that the youth will come this way to-morrow,
292  I'll give him reasons for't: hie thee, Malvolio.
MALVOLIO
293  Madam, I will.
Exit

OLIVIA
294  I do I know not what, and fear to find
295  Mine eye too great a flatterer for my mind.
296  Fate, show thy force: ourselves we do not owe;
297  What is decreed must be, and be this so.
Exit

< (Previous) ACT I, SCENE IVACT II, I (Next) >
Scene Index
ACT I
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • SCENE V


  • ACT II
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • SCENE V


  • ACT III
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV


  • ACT IV
  • SCENE I
  • SCENE II
  • SCENE III


  • ACT V
  • SCENE I

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