1 Nay, either tell me where thou hast been, or I will 2 not open my lips so wide as a bristle may enter in 3 way of thy excuse: my lady will hang thee for thy absence.
Clown
4 Let her hang me: he that is well hanged in this 5 world needs to fear no colours.
MARIA
6 Make that good.
Clown
7 He shall see none to fear.
MARIA
8 A good lenten answer: I can tell thee where that 9 saying was born, of 'I fear no colours.'
Clown
10 Where, good Mistress Mary?
MARIA
11 In the wars; and that may you be bold to say in your foolery.
Clown
12 Well, God give them wisdom that have it; and those 13 that are fools, let them use their talents.
MARIA
14 Yet you will be hanged for being so long absent; or, 15 to be turned away, is not that as good as a hanging to you?
Clown
16 Many a good hanging prevents a bad marriage; and, 17 for turning away, let summer bear it out.
MARIA
18 You are resolute, then?
Clown
19 Not so, neither; but I am resolved on two points.
MARIA
20 That if one break, the other will hold; or, if both 21 break, your gaskins fall.
Clown
22 Apt, in good faith; very apt. Well, go thy way; if 23 Sir Toby would leave drinking, thou wert as witty a 24 piece of Eve's flesh as any in Illyria.
MARIA
25 Peace, you rogue, no more o' that. Here comes my 26 lady: make your excuse wisely, you were best.
Exit
Clown
27 Wit, an't be thy will, put me into good fooling! 28 Those wits, that think they have thee, do very oft 29 prove fools; and I, that am sure I lack thee, may 30 pass for a wise man: for what says Quinapalus? 31 'Better a witty fool, than a foolish wit.' Enter OLIVIA with MALVOLIO 32 God bless thee, lady!
OLIVIA
33 Take the fool away.
Clown
34 Do you not hear, fellows? Take away the lady.
OLIVIA
35 Go to, you're a dry fool; I'll no more of you: 36 besides, you grow dishonest.
Clown
37 Two faults, madonna, that drink and good counsel 38 will amend: for give the dry fool drink, then is 39 the fool not dry: bid the dishonest man mend 40 himself; if he mend, he is no longer dishonest; if 41 he cannot, let the botcher mend him. Any thing 42 that's mended is but patched: virtue that 43 transgresses is but patched with sin; and sin that 44 amends is but patched with virtue. If that this 45 simple syllogism will serve, so; if it will not, 46 what remedy? As there is no true cuckold but 47 calamity, so beauty's a flower. The lady bade take 48 away the fool; therefore, I say again, take her away.
OLIVIA
49 Sir, I bade them take away you.
Clown
50 Misprision in the highest degree! Lady, cucullus non 51 facit monachum; that's as much to say as I wear not 52 motley in my brain. Good madonna, give me leave to 53 prove you a fool.
OLIVIA
54 Can you do it?
Clown
55 Dexterously, good madonna.
OLIVIA
56 Make your proof.
Clown
57 I must catechise you for it, madonna: good my mouse 58 of virtue, answer me.
OLIVIA
59 Well, sir, for want of other idleness, I'll bide your proof.
Clown
60 Good madonna, why mournest thou?
OLIVIA
61 Good fool, for my brother's death.
Clown
62 I think his soul is in hell, madonna.
OLIVIA
63 I know his soul is in heaven, fool.
Clown
64 The more fool, madonna, to mourn for your brother's 65 soul being in heaven. Take away the fool, gentlemen.
OLIVIA
66 What think you of this fool, Malvolio? doth he not mend?
MALVOLIO
67 Yes, and shall do till the pangs of death shake him: 68 infirmity, that decays the wise, doth ever make the 69 better fool.
Clown
70 God send you, sir, a speedy infirmity, for the 71 better increasing your folly! Sir Toby will be 72 sworn that I am no fox; but he will not pass his 73 word for two pence that you are no fool.
OLIVIA
74 How say you to that, Malvolio?
MALVOLIO
75 I marvel your ladyship takes delight in such a 76 barren rascal: I saw him put down the other day 77 with an ordinary fool that has no more brain 78 than a stone. Look you now, he's out of his guard 79 already; unless you laugh and minister occasion to 80 him, he is gagged. I protest, I take these wise men, 81 that crow so at these set kind of fools, no better 82 than the fools' zanies.
OLIVIA
83 Oh, you are sick of self-love, Malvolio, and taste 84 with a distempered appetite. To be generous, 85 guiltless and of free disposition, is to take those 86 things for bird-bolts that you deem cannon-bullets: 87 there is no slander in an allowed fool, though he do 88 nothing but rail; nor no railing in a known discreet 89 man, though he do nothing but reprove.
Clown
90 Now Mercury endue thee with leasing, for thou 91 speakest well of fools!
Re-enter MARIA
MARIA
92 Madam, there is at the gate a young gentleman much 93 desires to speak with you.
OLIVIA
94 From the Count Orsino, is it?
MARIA
95 I know not, madam: 'tis a fair young man, and well attended.
OLIVIA
96 Who of my people hold him in delay?
MARIA
97 Sir Toby, madam, your kinsman.
OLIVIA
98 Fetch him off, I pray you; he speaks nothing but 99 madman: fie on him! Exit MARIA 100 Go you, Malvolio: if it be a suit from the count, I 101 am sick, or not at home; what you will, to dismiss it. Exit MALVOLIO 102 Now you see, sir, how your fooling grows old, and 103 people dislike it.
Clown
104 Thou hast spoke for us, madonna, as if thy eldest 105 son should be a fool; whose skull Jove cram with 106 brains! for,--here he comes,--one of thy kin has a 107 most weak pia mater.
Enter SIR TOBY BELCH
OLIVIA
108 By mine honour, half drunk. What is he at the gate, cousin?
SIR TOBY BELCH
109 A gentleman.
OLIVIA
110 A gentleman! what gentleman?
SIR TOBY BELCH
111 'Tis a gentle man here--a plague o' these 112 pickle-herring! How now, sot!
Clown
113 Good Sir Toby!
OLIVIA
114 Cousin, cousin, how have you come so early by this lethargy?
SIR TOBY BELCH
115 Lechery! I defy lechery. There's one at the gate.
OLIVIA
116 Ay, marry, what is he?
SIR TOBY BELCH
117 Let him be the devil, an he will, I care not: give 118 me faith, say I. Well, it's all one.
Exit
OLIVIA
119 What's a drunken man like, fool?
Clown
120 Like a drowned man, a fool and a mad man: one 121 draught above heat makes him a fool; the second mads 122 him; and a third drowns him.
OLIVIA
123 Go thou and seek the crowner, and let him sit o' my 124 coz; for he's in the third degree of drink, he's 125 drowned: go, look after him.
Clown
126 He is but mad yet, madonna; and the fool shall look 127 to the madman.
Exit
Re-enter MALVOLIO
MALVOLIO
128 Madam, yond young fellow swears he will speak with 129 you. I told him you were sick; he takes on him to 130 understand so much, and therefore comes to speak 131 with you. I told him you were asleep; he seems to 132 have a foreknowledge of that too, and therefore 133 comes to speak with you. What is to be said to him, 134 lady? he's fortified against any denial.
OLIVIA
135 Tell him he shall not speak with me.
MALVOLIO
136 Has been told so; and he says, he'll stand at your 137 door like a sheriff's post, and be the supporter to 138 a bench, but he'll speak with you.
OLIVIA
139 What kind o' man is he?
MALVOLIO
140 Why, of mankind.
OLIVIA
141 What manner of man?
MALVOLIO
142 Of very ill manner; he'll speak with you, will you or no.
OLIVIA
143 Of what personage and years is he?
MALVOLIO
144 Not yet old enough for a man, nor young enough for 145 a boy; as a squash is before 'tis a peascod, or a 146 cooling when 'tis almost an apple: 'tis with him 147 in standing water, between boy and man. He is very 148 well-favoured and he speaks very shrewishly; one 149 would think his mother's milk were scarce out of him.
OLIVIA
150 Let him approach: call in my gentlewoman.
MALVOLIO
151 Gentlewoman, my lady calls.
Exit
Re-enter MARIA
OLIVIA
152 Give me my veil: come, throw it o'er my face. 153 We'll once more hear Orsino's embassy.
Enter VIOLA, and Attendants
VIOLA
154 The honourable lady of the house, which is she?
OLIVIA
155 Speak to me; I shall answer for her. 156 Your will?
VIOLA
157 Most radiant, exquisite and unmatchable beauty,--I 158 pray you, tell me if this be the lady of the house, 159 for I never saw her: I would be loath to cast away 160 my speech, for besides that it is excellently well 161 penned, I have taken great pains to con it. Good 162 beauties, let me sustain no scorn; I am very 163 comptible, even to the least sinister usage.
OLIVIA
164 Whence came you, sir?
VIOLA
165 I can say little more than I have studied, and that 166 question's out of my part. Good gentle one, give me 167 modest assurance if you be the lady of the house, 168 that I may proceed in my speech.
OLIVIA
169 Are you a comedian?
VIOLA
170 No, my profound heart: and yet, by the very fangs 171 of malice I swear, I am not that I play. Are you 172 the lady of the house?
OLIVIA
173 If I do not usurp myself, I am.
VIOLA
174 Most certain, if you are she, you do usurp 175 yourself; for what is yours to bestow is not yours 176 to reserve. But this is from my commission: I will 177 on with my speech in your praise, and then show you 178 the heart of my message.
OLIVIA
179 Come to what is important in't: I forgive you the praise.
VIOLA
180 Alas, I took great pains to study it, and 'tis poetical.
OLIVIA
181 It is the more like to be feigned: I pray you, 182 keep it in. I heard you were saucy at my gates, 183 and allowed your approach rather to wonder at you 184 than to hear you. If you be not mad, be gone; if 185 you have reason, be brief: 'tis not that time of 186 moon with me to make one in so skipping a dialogue.
MARIA
187 Will you hoist sail, sir? here lies your way.
VIOLA
188 No, good swabber; I am to hull here a little 189 longer. Some mollification for your giant, sweet 190 lady. Tell me your mind: I am a messenger.
OLIVIA
191 Sure, you have some hideous matter to deliver, when 192 the courtesy of it is so fearful. Speak your office.
VIOLA
193 It alone concerns your ear. I bring no overture of 194 war, no taxation of homage: I hold the olive in my 195 hand; my words are as fun of peace as matter.
OLIVIA
196 Yet you began rudely. What are you? what would you?
VIOLA
197 The rudeness that hath appeared in me have I 198 learned from my entertainment. What I am, and what I 199 would, are as secret as maidenhead; to your ears, 200 divinity, to any other's, profanation.
OLIVIA
201 Give us the place alone: we will hear this divinity. Exeunt MARIA and Attendants 202 Now, sir, what is your text?
VIOLA
203 Most sweet lady,--
OLIVIA
204 A comfortable doctrine, and much may be said of it. 205 Where lies your text?
VIOLA
206 In Orsino's bosom.
OLIVIA
207 In his bosom! In what chapter of his bosom?
VIOLA
208 To answer by the method, in the first of his heart.
OLIVIA
209 O, I have read it: it is heresy. Have you no more to say?
VIOLA
210 Good madam, let me see your face.
OLIVIA
211 Have you any commission from your lord to negotiate 212 with my face? You are now out of your text: but 213 we will draw the curtain and show you the picture. 214 Look you, sir, such a one I was this present: is't 215 not well done?
Unveiling
VIOLA
216 Excellently done, if God did all.
OLIVIA
217 'Tis in grain, sir; 'twill endure wind and weather.
VIOLA
218 'Tis beauty truly blent, whose red and white 219 Nature's own sweet and cunning hand laid on: 220 Lady, you are the cruell'st she alive, 221 If you will lead these graces to the grave 222 And leave the world no copy.
OLIVIA
223 O, sir, I will not be so hard-hearted; I will give 224 out divers schedules of my beauty: it shall be 225 inventoried, and every particle and utensil 226 labelled to my will: as, item, two lips, 227 indifferent red; item, two grey eyes, with lids to 228 them; item, one neck, one chin, and so forth. Were 229 you sent hither to praise me?
VIOLA
230 I see you what you are, you are too proud; 231 But, if you were the devil, you are fair. 232 My lord and master loves you: O, such love 233 Could be but recompensed, though you were crown'd 234 The nonpareil of beauty!
OLIVIA
235 How does he love me?
VIOLA
236 With adorations, fertile tears, 237 With groans that thunder love, with sighs of fire.
OLIVIA
238 Your lord does know my mind; I cannot love him: 239 Yet I suppose him virtuous, know him noble, 240 Of great estate, of fresh and stainless youth; 241 In voices well divulged, free, learn'd and valiant; 242 And in dimension and the shape of nature 243 A gracious person: but yet I cannot love him; 244 He might have took his answer long ago.
VIOLA
245 If I did love you in my master's flame, 246 With such a suffering, such a deadly life, 247 In your denial I would find no sense; 248 I would not understand it.
OLIVIA
249 Why, what would you?
VIOLA
250 Make me a willow cabin at your gate, 251 And call upon my soul within the house; 252 Write loyal cantons of contemned love 253 And sing them loud even in the dead of night; 254 Halloo your name to the reverberate hills 255 And make the babbling gossip of the air 256 Cry out 'Olivia!' O, You should not rest 257 Between the elements of air and earth, 258 But you should pity me!
OLIVIA
259 You might do much. 260 What is your parentage?
VIOLA
261 Above my fortunes, yet my state is well: 262 I am a gentleman.
OLIVIA
263 Get you to your lord; 264 I cannot love him: let him send no more; 265 Unless, perchance, you come to me again, 266 To tell me how he takes it. Fare you well: 267 I thank you for your pains: spend this for me.
VIOLA
268 I am no fee'd post, lady; keep your purse: 269 My master, not myself, lacks recompense. 270 Love make his heart of flint that you shall love; 271 And let your fervor, like my master's, be 272 Placed in contempt! Farewell, fair cruelty.
Exit
OLIVIA
273 'What is your parentage?' 274 'Above my fortunes, yet my state is well: 275 I am a gentleman.' I'll be sworn thou art; 276 Thy tongue, thy face, thy limbs, actions and spirit, 277 Do give thee five-fold blazon: not too fast: 278 soft, soft! 279 Unless the master were the man. How now! 280 Even so quickly may one catch the plague? 281 Methinks I feel this youth's perfections 282 With an invisible and subtle stealth 283 To creep in at mine eyes. Well, let it be. 284 What ho, Malvolio!
Re-enter MALVOLIO
MALVOLIO
285 Here, madam, at your service.
OLIVIA
286 Run after that same peevish messenger, 287 The county's man: he left this ring behind him, 288 Would I or not: tell him I'll none of it. 289 Desire him not to flatter with his lord, 290 Nor hold him up with hopes; I am not for him: 291 If that the youth will come this way to-morrow, 292 I'll give him reasons for't: hie thee, Malvolio.
MALVOLIO
293 Madam, I will.
Exit
OLIVIA
294 I do I know not what, and fear to find 295 Mine eye too great a flatterer for my mind. 296 Fate, show thy force: ourselves we do not owe; 297 What is decreed must be, and be this so.