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Home > Taming of the Shrew > ACT IV - SCENE III. A room in PETRUCHIO'S house.

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ACT IV - SCENE III. A room in PETRUCHIO'S house.
Enter KATHARINA and GRUMIO

GRUMIO
1    No, no, forsooth; I dare not for my life.
KATHARINA
2    The more my wrong, the more his spite appears:
3    What, did he marry me to famish me?
4    Beggars, that come unto my father's door,
5    Upon entreaty have a present aims;
6    If not, elsewhere they meet with charity:
7    But I, who never knew how to entreat,
8    Nor never needed that I should entreat,
9    Am starved for meat, giddy for lack of sleep,
10   With oath kept waking and with brawling fed:
11   And that which spites me more than all these wants,
12   He does it under name of perfect love;
13   As who should say, if I should sleep or eat,
14   'Twere deadly sickness or else present death.
15   I prithee go and get me some repast;
16   I care not what, so it be wholesome food.
GRUMIO
17   What say you to a neat's foot?
KATHARINA
18   'Tis passing good: I prithee let me have it.
GRUMIO
19   I fear it is too choleric a meat.
20   How say you to a fat tripe finely broil'd?
KATHARINA
21   I like it well: good Grumio, fetch it me.
GRUMIO
22   I cannot tell; I fear 'tis choleric.
23   What say you to a piece of beef and mustard?
KATHARINA
24   A dish that I do love to feed upon.
GRUMIO
25   Ay, but the mustard is too hot a little.
KATHARINA
26   Why then, the beef, and let the mustard rest.
GRUMIO
27   Nay then, I will not: you shall have the mustard,
28   Or else you get no beef of Grumio.
KATHARINA
29   Then both, or one, or any thing thou wilt.
GRUMIO
30   Why then, the mustard without the beef.
KATHARINA
31   Go, get thee gone, thou false deluding slave,
Beats him
32   That feed'st me with the very name of meat:
33   Sorrow on thee and all the pack of you,
34   That triumph thus upon my misery!
35   Go, get thee gone, I say.
Enter PETRUCHIO and HORTENSIO with meat

PETRUCHIO
36   How fares my Kate? What, sweeting, all amort?
HORTENSIO
37   Mistress, what cheer?
KATHARINA
38   Faith, as cold as can be.
PETRUCHIO
39   Pluck up thy spirits; look cheerfully upon me.
40   Here love; thou see'st how diligent I am
41   To dress thy meat myself and bring it thee:
42   I am sure, sweet Kate, this kindness merits thanks.
43   What, not a word? Nay, then thou lovest it not;
44   And all my pains is sorted to no proof.
45   Here, take away this dish.
KATHARINA
46   I pray you, let it stand.
PETRUCHIO
47   The poorest service is repaid with thanks;
48   And so shall mine, before you touch the meat.
KATHARINA
49   I thank you, sir.
HORTENSIO
50   Signior Petruchio, fie! you are to blame.
51   Come, mistress Kate, I'll bear you company.
PETRUCHIO
Aside
52    Eat it up all, Hortensio, if thou lovest me.
53   Much good do it unto thy gentle heart!
54   Kate, eat apace: and now, my honey love,
55   Will we return unto thy father's house
56   And revel it as bravely as the best,
57   With silken coats and caps and golden rings,
58   With ruffs and cuffs and fardingales and things;
59   With scarfs and fans and double change of bravery,
60   With amber bracelets, beads and all this knavery.
61   What, hast thou dined? The tailor stays thy leisure,
62   To deck thy body with his ruffling treasure.
Enter Tailor
63   Come, tailor, let us see these ornaments;
64   Lay forth the gown.
Enter Haberdasher
65   What news with you, sir?
Haberdasher
66   Here is the cap your worship did bespeak.
PETRUCHIO
67   Why, this was moulded on a porringer;
68   A velvet dish: fie, fie! 'tis lewd and filthy:
69   Why, 'tis a cockle or a walnut-shell,
70   A knack, a toy, a trick, a baby's cap:
71   Away with it! come, let me have a bigger.
KATHARINA
72   I'll have no bigger: this doth fit the time,
73   And gentlewomen wear such caps as these
PETRUCHIO
74   When you are gentle, you shall have one too,
75   And not till then.
HORTENSIO
Aside
76    That will not be in haste.
KATHARINA
77   Why, sir, I trust I may have leave to speak;
78   And speak I will; I am no child, no babe:
79   Your betters have endured me say my mind,
80   And if you cannot, best you stop your ears.
81   My tongue will tell the anger of my heart,
82   Or else my heart concealing it will break,
83   And rather than it shall, I will be free
84   Even to the uttermost, as I please, in words.
PETRUCHIO
85   Why, thou say'st true; it is a paltry cap,
86   A custard-coffin, a bauble, a silken pie:
87   I love thee well, in that thou likest it not.
KATHARINA
88   Love me or love me not, I like the cap;
89   And it I will have, or I will have none.
Exit Haberdasher

PETRUCHIO
90   Thy gown? why, ay: come, tailor, let us see't.
91   O mercy, God! what masquing stuff is here?
92   What's this? a sleeve? 'tis like a demi-cannon:
93   What, up and down, carved like an apple-tart?
94   Here's snip and nip and cut and slish and slash,
95   Like to a censer in a barber's shop:
96   Why, what, i' devil's name, tailor, call'st thou this?
HORTENSIO
Aside
97    I see she's like to have neither cap nor gown.
Tailor
98   You bid me make it orderly and well,
99   According to the fashion and the time.
PETRUCHIO
100  Marry, and did; but if you be remember'd,
101  I did not bid you mar it to the time.
102  Go, hop me over every kennel home,
103  For you shall hop without my custom, sir:
104  I'll none of it: hence! make your best of it.
KATHARINA
105  I never saw a better-fashion'd gown,
106  More quaint, more pleasing, nor more commendable:
107  Belike you mean to make a puppet of me.
PETRUCHIO
108  Why, true; he means to make a puppet of thee.
Tailor
109  She says your worship means to make
110  a puppet of her.
PETRUCHIO
111  O monstrous arrogance! Thou liest, thou thread,
112  thou thimble,
113  Thou yard, three-quarters, half-yard, quarter, nail!
114  Thou flea, thou nit, thou winter-cricket thou!
115  Braved in mine own house with a skein of thread?
116  Away, thou rag, thou quantity, thou remnant;
117  Or I shall so be-mete thee with thy yard
118  As thou shalt think on prating whilst thou livest!
119  I tell thee, I, that thou hast marr'd her gown.
Tailor
120  Your worship is deceived; the gown is made
121  Just as my master had direction:
122  Grumio gave order how it should be done.
GRUMIO
123  I gave him no order; I gave him the stuff.
Tailor
124  But how did you desire it should be made?
GRUMIO
125  Marry, sir, with needle and thread.
Tailor
126  But did you not request to have it cut?
GRUMIO
127  Thou hast faced many things.
Tailor
128  I have.
GRUMIO
129  Face not me: thou hast braved many men; brave not
130  me; I will neither be faced nor braved. I say unto
131  thee, I bid thy master cut out the gown; but I did
132  not bid him cut it to pieces: ergo, thou liest.
Tailor
133  Why, here is the note of the fashion to testify
PETRUCHIO
134  Read it.
GRUMIO
135  The note lies in's throat, if he say I said so.
Tailor
Reads
136   'Imprimis, a loose-bodied gown:'
GRUMIO
137  Master, if ever I said loose-bodied gown, sew me in
138  the skirts of it, and beat me to death with a bottom
139  of brown thread: I said a gown.
PETRUCHIO
140  Proceed.
Tailor
Reads
141   'With a small compassed cape:'
GRUMIO
142  I confess the cape.
Tailor
Reads
143   'With a trunk sleeve:'
GRUMIO
144  I confess two sleeves.
Tailor
Reads
145   'The sleeves curiously cut.'
PETRUCHIO
146  Ay, there's the villany.
GRUMIO
147  Error i' the bill, sir; error i' the bill.
148  I commanded the sleeves should be cut out and
149  sewed up again; and that I'll prove upon thee,
150  though thy little finger be armed in a thimble.
Tailor
151  This is true that I say: an I had thee
152  in place where, thou shouldst know it.
GRUMIO
153  I am for thee straight: take thou the
154  bill, give me thy mete-yard, and spare not me.
HORTENSIO
155  God-a-mercy, Grumio! then he shall have no odds.
PETRUCHIO
156  Well, sir, in brief, the gown is not for me.
GRUMIO
157  You are i' the right, sir: 'tis for my mistress.
PETRUCHIO
158  Go, take it up unto thy master's use.
GRUMIO
159  Villain, not for thy life: take up my mistress'
160  gown for thy master's use!
PETRUCHIO
161  Why, sir, what's your conceit in that?
GRUMIO
162  O, sir, the conceit is deeper than you think for:
163  Take up my mistress' gown to his master's use!
164  O, fie, fie, fie!
PETRUCHIO
Aside
165   Hortensio, say thou wilt see the tailor paid.
166  Go take it hence; be gone, and say no more.
HORTENSIO
167  Tailor, I'll pay thee for thy gown tomorrow:
168  Take no unkindness of his hasty words:
169  Away! I say; commend me to thy master.
Exit Tailor

PETRUCHIO
170  Well, come, my Kate; we will unto your father's
171  Even in these honest mean habiliments:
172  Our purses shall be proud, our garments poor;
173  For 'tis the mind that makes the body rich;
174  And as the sun breaks through the darkest clouds,
175  So honour peereth in the meanest habit.
176  What is the jay more precious than the lark,
177  Because his fathers are more beautiful?
178  Or is the adder better than the eel,
179  Because his painted skin contents the eye?
180  O, no, good Kate; neither art thou the worse
181  For this poor furniture and mean array.
182  if thou account'st it shame. lay it on me;
183  And therefore frolic: we will hence forthwith,
184  To feast and sport us at thy father's house.
185  Go, call my men, and let us straight to him;
186  And bring our horses unto Long-lane end;
187  There will we mount, and thither walk on foot
188  Let's see; I think 'tis now some seven o'clock,
189  And well we may come there by dinner-time.
KATHARINA
190  I dare assure you, sir, 'tis almost two;
191  And 'twill be supper-time ere you come there.
PETRUCHIO
192  It shall be seven ere I go to horse:
193  Look, what I speak, or do, or think to do,
194  You are still crossing it. Sirs, let't alone:
195  I will not go to-day; and ere I do,
196  It shall be what o'clock I say it is.
HORTENSIO
Aside
197   Why, so this gallant will command the sun.
Exeunt

< (Previous) ACT IV, SCENE IIACT IV, IV (Next) >
Scene Index
  • INDUCTION
  • SCENE I
  • SCENE II


  • ACT I
  • SCENE I
  • SCENE II


  • ACT II
  • SCENE I


  • ACT III
  • SCENE I
  • SCENE II


  • ACT IV
  • SCENE I
  • SCENE II
  • SCENE III
  • SCENE IV
  • SCENE V


  • ACT V
  • SCENE I
  • SCENE II

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