1 Mistress! what, mistress! Juliet! fast, I warrant her, she: 2 Why, lamb! why, lady! fie, you slug-a-bed! 3 Why, love, I say! madam! sweet-heart! why, bride! 4 What, not a word? you take your pennyworths now; 5 Sleep for a week; for the next night, I warrant, 6 The County Paris hath set up his rest, 7 That you shall rest but little. God forgive me, 8 Marry, and amen, how sound is she asleep! 9 I must needs wake her. Madam, madam, madam! 10 Ay, let the county take you in your bed; 11 He'll fright you up, i' faith. Will it not be? Undraws the curtains 12 What, dress'd! and in your clothes! and down again! 13 I must needs wake you; Lady! lady! lady! 14 Alas, alas! Help, help! my lady's dead! 15 O, well-a-day, that ever I was born! 16 Some aqua vitae, ho! My lord! my lady!
Enter LADY CAPULET
LADY CAPULET
17 What noise is here?
Nurse
18 O lamentable day!
LADY CAPULET
19 What is the matter?
Nurse
20 Look, look! O heavy day!
LADY CAPULET
21 O me, O me! My child, my only life, 22 Revive, look up, or I will die with thee! 23 Help, help! Call help.
Enter CAPULET
CAPULET
24 For shame, bring Juliet forth; her lord is come.
Nurse
25 She's dead, deceased, she's dead; alack the day!
LADY CAPULET
26 Alack the day, she's dead, she's dead, she's dead!
CAPULET
27 Ha! let me see her: out, alas! she's cold: 28 Her blood is settled, and her joints are stiff; 29 Life and these lips have long been separated: 30 Death lies on her like an untimely frost 31 Upon the sweetest flower of all the field.
Nurse
32 O lamentable day!
LADY CAPULET
33 O woful time!
CAPULET
34 Death, that hath ta'en her hence to make me wail, 35 Ties up my tongue, and will not let me speak.
Enter FRIAR LAURENCE and PARIS, with Musicians
FRIAR LAURENCE
36 Come, is the bride ready to go to church?
CAPULET
37 Ready to go, but never to return. 38 O son! the night before thy wedding-day 39 Hath Death lain with thy wife. There she lies, 40 Flower as she was, deflowered by him. 41 Death is my son-in-law, Death is my heir; 42 My daughter he hath wedded: I will die, 43 And leave him all; life, living, all is Death's.
PARIS
44 Have I thought long to see this morning's face, 45 And doth it give me such a sight as this?
LADY CAPULET
46 Accursed, unhappy, wretched, hateful day! 47 Most miserable hour that e'er time saw 48 In lasting labour of his pilgrimage! 49 But one, poor one, one poor and loving child, 50 But one thing to rejoice and solace in, 51 And cruel death hath catch'd it from my sight!
Nurse
52 O woe! O woful, woful, woful day! 53 Most lamentable day, most woful day, 54 That ever, ever, I did yet behold! 55 O day! O day! O day! O hateful day! 56 Never was seen so black a day as this: 57 O woful day, O woful day!
PARIS
58 Beguiled, divorced, wronged, spited, slain! 59 Most detestable death, by thee beguil'd, 60 By cruel cruel thee quite overthrown! 61 O love! O life! not life, but love in death!
CAPULET
62 Despised, distressed, hated, martyr'd, kill'd! 63 Uncomfortable time, why camest thou now 64 To murder, murder our solemnity? 65 O child! O child! my soul, and not my child! 66 Dead art thou! Alack! my child is dead; 67 And with my child my joys are buried.
FRIAR LAURENCE
68 Peace, ho, for shame! confusion's cure lives not 69 In these confusions. Heaven and yourself 70 Had part in this fair maid; now heaven hath all, 71 And all the better is it for the maid: 72 Your part in her you could not keep from death, 73 But heaven keeps his part in eternal life. 74 The most you sought was her promotion; 75 For 'twas your heaven she should be advanced: 76 And weep ye now, seeing she is advanced 77 Above the clouds, as high as heaven itself? 78 O, in this love, you love your child so ill, 79 That you run mad, seeing that she is well: 80 She's not well married that lives married long; 81 But she's best married that dies married young. 82 Dry up your tears, and stick your rosemary 83 On this fair corse; and, as the custom is, 84 In all her best array bear her to church: 85 For though fond nature bids us an lament, 86 Yet nature's tears are reason's merriment.
CAPULET
87 All things that we ordained festival, 88 Turn from their office to black funeral; 89 Our instruments to melancholy bells, 90 Our wedding cheer to a sad burial feast, 91 Our solemn hymns to sullen dirges change, 92 Our bridal flowers serve for a buried corse, 93 And all things change them to the contrary.
FRIAR LAURENCE
94 Sir, go you in; and, madam, go with him; 95 And go, Sir Paris; every one prepare 96 To follow this fair corse unto her grave: 97 The heavens do lour upon you for some ill; 98 Move them no more by crossing their high will.
Exeunt CAPULET, LADY CAPULET, PARIS, and FRIAR LAURENCE
First Musician
99 Faith, we may put up our pipes, and be gone.
Nurse
100 Honest goodfellows, ah, put up, put up; 101 For, well you know, this is a pitiful case.
Exit
First Musician
102 Ay, by my troth, the case may be amended.
Enter PETER
PETER
103 Musicians, O, musicians, 'Heart's ease, Heart's 104 ease:' O, an you will have me live, play 'Heart's ease.'
First Musician
105 Why 'Heart's ease?'
PETER
106 O, musicians, because my heart itself plays 'My 107 heart is full of woe:' O, play me some merry dump, 108 to comfort me.
First Musician
109 Not a dump we; 'tis no time to play now.
PETER
110 You will not, then?
First Musician
111 No.
PETER
112 I will then give it you soundly.
First Musician
113 What will you give us?
PETER
114 No money, on my faith, but the gleek; 115 I will give you the minstrel.
First Musician
116 Then I will give you the serving-creature.
PETER
117 Then will I lay the serving-creature's dagger on 118 your pate. I will carry no crotchets: I'll re you, 119 I'll fa you; do you note me?
First Musician
120 An you re us and fa us, you note us.
Second Musician
121 Pray you, put up your dagger, and put out your wit.
PETER
122 Then have at you with my wit! I will dry-beat you 123 with an iron wit, and put up my iron dagger. Answer 124 me like men: 125 'When griping grief the heart doth wound, 126 And doleful dumps the mind oppress, 127 Then music with her silver sound'-- 128 why 'silver sound'? why 'music with her silver 129 sound'? What say you, Simon Catling?
Musician
130 Marry, sir, because silver hath a sweet sound.
PETER
131 Pretty! What say you, Hugh Rebeck?
Second Musician
132 I say 'silver sound,' because musicians sound for silver.
PETER
133 Pretty too! What say you, James Soundpost?
Third Musician
134 Faith, I know not what to say.
PETER
135 O, I cry you mercy; you are the singer: I will say 136 for you. It is 'music with her silver sound,' 137 because musicians have no gold for sounding: 138 'Then music with her silver sound 139 With speedy help doth lend redress.'
Exit
First Musician
140 What a pestilent knave is this same!
Second Musician
141 Hang him, Jack! Come, we'll in here; tarry for the 142 mourners, and stay dinner.