1 Is she to be buried in Christian burial that 2 wilfully seeks her own salvation?
Second Clown
3 I tell thee she is: and therefore make her grave 4 straight: the crowner hath sat on her, and finds it 5 Christian burial.
First Clown
6 How can that be, unless she drowned herself in her 7 own defence?
Second Clown
8 Why, 'tis found so.
First Clown
9 It must be 'se offendendo;' it cannot be else. For 10 here lies the point: if I drown myself wittingly, 11 it argues an act: and an act hath three branches: it 12 is, to act, to do, to perform: argal, she drowned 13 herself wittingly.
Second Clown
14 Nay, but hear you, goodman delver,--
First Clown
15 Give me leave. Here lies the water; good: here 16 stands the man; good; if the man go to this water, 17 and drown himself, it is, will he, nill he, he 18 goes,--mark you that; but if the water come to him 19 and drown him, he drowns not himself: argal, he 20 that is not guilty of his own death shortens not his own life.
Second Clown
21 But is this law?
First Clown
22 Ay, marry, is't; crowner's quest law.
Second Clown
23 Will you ha' the truth on't? If this had not been 24 a gentlewoman, she should have been buried out o' 25 Christian burial.
First Clown
26 Why, there thou say'st: and the more pity that 27 great folk should have countenance in this world to 28 drown or hang themselves, more than their even 29 Christian. Come, my spade. There is no ancient 30 gentleman but gardeners, ditchers, and grave-makers: 31 they hold up Adam's profession.
Second Clown
32 Was he a gentleman?
First Clown
33 He was the first that ever bore arms.
Second Clown
34 Why, he had none.
First Clown
35 What, art a heathen? How dost thou understand the 36 Scripture? The Scripture says 'Adam digged:' 37 could he dig without arms? I'll put another 38 question to thee: if thou answerest me not to the 39 purpose, confess thyself--
Second Clown
40 Go to.
First Clown
41 What is he that builds stronger than either the 42 mason, the shipwright, or the carpenter?
Second Clown
43 The gallows-maker; for that frame outlives a 44 thousand tenants.
First Clown
45 I like thy wit well, in good faith: the gallows 46 does well; but how does it well? it does well to 47 those that do in: now thou dost ill to say the 48 gallows is built stronger than the church: argal, 49 the gallows may do well to thee. To't again, come.
Second Clown
50 'Who builds stronger than a mason, a shipwright, or 51 a carpenter?'
First Clown
52 Ay, tell me that, and unyoke.
Second Clown
53 Marry, now I can tell.
First Clown
54 To't.
Second Clown
55 Mass, I cannot tell.
Enter HAMLET and HORATIO, at a distance
First Clown
56 Cudgel thy brains no more about it, for your dull 57 ass will not mend his pace with beating; and, when 58 you are asked this question next, say 'a 59 grave-maker: 'the houses that he makes last till 60 doomsday. Go, get thee to Yaughan: fetch me a 61 stoup of liquor. Exit Second Clown He digs and sings 62 In youth, when I did love, did love, 63 Methought it was very sweet, 64 To contract, O, the time, for, ah, my behove, 65 O, methought, there was nothing meet.
HAMLET
66 Has this fellow no feeling of his business, that he 67 sings at grave-making?
HORATIO
68 Custom hath made it in him a property of easiness.
HAMLET
69 'Tis e'en so: the hand of little employment hath 70 the daintier sense.
First Clown
Sings 71 But age, with his stealing steps, 72 Hath claw'd me in his clutch, 73 And hath shipped me intil the land, 74 As if I had never been such.
Throws up a skull
HAMLET
75 That skull had a tongue in it, and could sing once: 76 how the knave jowls it to the ground, as if it were 77 Cain's jaw-bone, that did the first murder! It 78 might be the pate of a politician, which this ass 79 now o'er-reaches; one that would circumvent God, 80 might it not?
HORATIO
81 It might, my lord.
HAMLET
82 Or of a courtier; which could say 'Good morrow, 83 sweet lord! How dost thou, good lord?' This might 84 be my lord such-a-one, that praised my lord 85 such-a-one's horse, when he meant to beg it; might it not?
HORATIO
86 Ay, my lord.
HAMLET
87 Why, e'en so: and now my Lady Worm's; chapless, and 88 knocked about the mazzard with a sexton's spade: 89 here's fine revolution, an we had the trick to 90 see't. Did these bones cost no more the breeding, 91 but to play at loggats with 'em? mine ache to think on't.
First Clown
Sings 92 A pick-axe, and a spade, a spade, 93 For and a shrouding sheet: 94 O, a pit of clay for to be made 95 For such a guest is meet.
Throws up another skull
HAMLET
96 There's another: why may not that be the skull of a 97 lawyer? Where be his quiddities now, his quillets, 98 his cases, his tenures, and his tricks? why does he 99 suffer this rude knave now to knock him about the 100 sconce with a dirty shovel, and will not tell him of 101 his action of battery? Hum! This fellow might be 102 in's time a great buyer of land, with his statutes, 103 his recognizances, his fines, his double vouchers, 104 his recoveries: is this the fine of his fines, and 105 the recovery of his recoveries, to have his fine 106 pate full of fine dirt? will his vouchers vouch him 107 no more of his purchases, and double ones too, than 108 the length and breadth of a pair of indentures? The 109 very conveyances of his lands will hardly lie in 110 this box; and must the inheritor himself have no more, ha?
HORATIO
111 Not a jot more, my lord.
HAMLET
112 Is not parchment made of sheepskins?
HORATIO
113 Ay, my lord, and of calf-skins too.
HAMLET
114 They are sheep and calves which seek out assurance 115 in that. I will speak to this fellow. Whose 116 grave's this, sirrah?
First Clown
117 Mine, sir. Sings 118 O, a pit of clay for to be made 119 For such a guest is meet.
HAMLET
120 I think it be thine, indeed; for thou liest in't.
First Clown
121 You lie out on't, sir, and therefore it is not 122 yours: for my part, I do not lie in't, and yet it is mine.
HAMLET
123 'Thou dost lie in't, to be in't and say it is thine: 124 'tis for the dead, not for the quick; therefore thou liest.
First Clown
125 'Tis a quick lie, sir; 'twill away gain, from me to 126 you.
HAMLET
127 What man dost thou dig it for?
First Clown
128 For no man, sir.
HAMLET
129 What woman, then?
First Clown
130 For none, neither.
HAMLET
131 Who is to be buried in't?
First Clown
132 One that was a woman, sir; but, rest her soul, she's dead.
HAMLET
133 How absolute the knave is! we must speak by the 134 card, or equivocation will undo us. By the Lord, 135 Horatio, these three years I have taken a note of 136 it; the age is grown so picked that the toe of the 137 peasant comes so near the heel of the courtier, he 138 gaffs his kibe. How long hast thou been a 139 grave-maker?
First Clown
140 Of all the days i' the year, I came to't that day 141 that our last king Hamlet overcame Fortinbras.
HAMLET
142 How long is that since?
First Clown
143 Cannot you tell that? every fool can tell that: it 144 was the very day that young Hamlet was born; he that 145 is mad, and sent into England.
HAMLET
146 Ay, marry, why was he sent into England?
First Clown
147 Why, because he was mad: he shall recover his wits 148 there; or, if he do not, it's no great matter there.
HAMLET
149 Why?
First Clown
150 'Twill, a not be seen in him there; there the men 151 are as mad as he.
HAMLET
152 How came he mad?
First Clown
153 Very strangely, they say.
HAMLET
154 How strangely?
First Clown
155 Faith, e'en with losing his wits.
HAMLET
156 Upon what ground?
First Clown
157 Why, here in Denmark: I have been sexton here, man 158 and boy, thirty years.
HAMLET
159 How long will a man lie i' the earth ere he rot?
First Clown
160 I' faith, if he be not rotten before he die--as we 161 have many pocky corses now-a-days, that will scarce 162 hold the laying in--he will last you some eight year 163 or nine year: a tanner will last you nine year.
HAMLET
164 Why he more than another?
First Clown
165 Why, sir, his hide is so tanned with his trade, that 166 he will keep out water a great while; and your water 167 is a sore decayer of your whoreson dead body. 168 Here's a skull now; this skull has lain in the earth 169 three and twenty years.
HAMLET
170 Whose was it?
First Clown
171 A whoreson mad fellow's it was: whose do you think it was?
HAMLET
172 Nay, I know not.
First Clown
173 A pestilence on him for a mad rogue! a' poured a 174 flagon of Rhenish on my head once. This same skull, 175 sir, was Yorick's skull, the king's jester.
HAMLET
176 This?
First Clown
177 E'en that.
HAMLET
178 Let me see. Takes the skull 179 Alas, poor Yorick! I knew him, Horatio: a fellow 180 of infinite jest, of most excellent fancy: he hath 181 borne me on his back a thousand times; and now, how 182 abhorred in my imagination it is! my gorge rims at 183 it. Here hung those lips that I have kissed I know 184 not how oft. Where be your gibes now? your 185 gambols? your songs? your flashes of merriment, 186 that were wont to set the table on a roar? Not one 187 now, to mock your own grinning? quite chap-fallen? 188 Now get you to my lady's chamber, and tell her, let 189 her paint an inch thick, to this favour she must 190 come; make her laugh at that. Prithee, Horatio, tell 191 me one thing.
HORATIO
192 What's that, my lord?
HAMLET
193 Dost thou think Alexander looked o' this fashion i' 194 the earth?
HORATIO
195 E'en so.
HAMLET
196 And smelt so? pah!
Puts down the skull
HORATIO
197 E'en so, my lord.
HAMLET
198 To what base uses we may return, Horatio! Why may 199 not imagination trace the noble dust of Alexander, 200 till he find it stopping a bung-hole?
HORATIO
201 'Twere to consider too curiously, to consider so.
HAMLET
202 No, faith, not a jot; but to follow him thither with 203 modesty enough, and likelihood to lead it: as 204 thus: Alexander died, Alexander was buried, 205 Alexander returneth into dust; the dust is earth; of 206 earth we make loam; and why of that loam, whereto he 207 was converted, might they not stop a beer-barrel? 208 Imperious Caesar, dead and turn'd to clay, 209 Might stop a hole to keep the wind away: 210 O, that that earth, which kept the world in awe, 211 Should patch a wall to expel the winter flaw! 212 But soft! but soft! aside: here comes the king. 213 The queen, the courtiers: who is this they follow? 214 And with such maimed rites? This doth betoken 215 The corse they follow did with desperate hand 216 Fordo its own life: 'twas of some estate. 217 Couch we awhile, and mark.
Retiring with HORATIO
LAERTES
218 What ceremony else?
HAMLET
219 That is Laertes, 220 A very noble youth: mark.
LAERTES
221 What ceremony else?
First Priest
222 Her obsequies have been as far enlarged 223 As we have warrantise: her death was doubtful; 224 And, but that great command o'ersways the order, 225 She should in ground unsanctified have lodged 226 Till the last trumpet: for charitable prayers, 227 Shards, flints and pebbles should be thrown on her; 228 Yet here she is allow'd her virgin crants, 229 Her maiden strewments and the bringing home 230 Of bell and burial.
LAERTES
231 Must there no more be done?
First Priest
232 No more be done: 233 We should profane the service of the dead 234 To sing a requiem and such rest to her 235 As to peace-parted souls.
LAERTES
236 Lay her i' the earth: 237 And from her fair and unpolluted flesh 238 May violets spring! I tell thee, churlish priest, 239 A ministering angel shall my sister be, 240 When thou liest howling.
HAMLET
241 What, the fair Ophelia!
QUEEN GERTRUDE
242 Sweets to the sweet: farewell! Scattering flowers 243 I hoped thou shouldst have been my Hamlet's wife; 244 I thought thy bride-bed to have deck'd, sweet maid, 245 And not have strew'd thy grave.
LAERTES
246 O, treble woe 247 Fall ten times treble on that cursed head, 248 Whose wicked deed thy most ingenious sense 249 Deprived thee of! Hold off the earth awhile, 250 Till I have caught her once more in mine arms: Leaps into the grave 251 Now pile your dust upon the quick and dead, 252 Till of this flat a mountain you have made, 253 To o'ertop old Pelion, or the skyish head 254 Of blue Olympus.
HAMLET
Advancing 255 What is he whose grief 256 Bears such an emphasis? whose phrase of sorrow 257 Conjures the wandering stars, and makes them stand 258 Like wonder-wounded hearers? This is I, 259 Hamlet the Dane.
Leaps into the grave
LAERTES
260 The devil take thy soul!
Grappling with him
HAMLET
261 Thou pray'st not well. 262 I prithee, take thy fingers from my throat; 263 For, though I am not splenitive and rash, 264 Yet have I something in me dangerous, 265 Which let thy wiseness fear: hold off thy hand.
KING CLAUDIUS
266 Pluck them asunder.
QUEEN GERTRUDE
267 Hamlet, Hamlet!
All
268 Gentlemen,--
HORATIO
269 Good my lord, be quiet.
The Attendants part them, and they come out of the grave
HAMLET
270 Why I will fight with him upon this theme 271 Until my eyelids will no longer wag.
QUEEN GERTRUDE
272 O my son, what theme?
HAMLET
273 I loved Ophelia: forty thousand brothers 274 Could not, with all their quantity of love, 275 Make up my sum. What wilt thou do for her?
KING CLAUDIUS
276 O, he is mad, Laertes.
QUEEN GERTRUDE
277 For love of God, forbear him.
HAMLET
278 'Swounds, show me what thou'lt do: 279 Woo't weep? woo't fight? woo't fast? woo't tear thyself? 280 Woo't drink up eisel? eat a crocodile? 281 I'll do't. Dost thou come here to whine? 282 To outface me with leaping in her grave? 283 Be buried quick with her, and so will I: 284 And, if thou prate of mountains, let them throw 285 Millions of acres on us, till our ground, 286 Singeing his pate against the burning zone, 287 Make Ossa like a wart! Nay, an thou'lt mouth, 288 I'll rant as well as thou.
QUEEN GERTRUDE
289 This is mere madness: 290 And thus awhile the fit will work on him; 291 Anon, as patient as the female dove, 292 When that her golden couplets are disclosed, 293 His silence will sit drooping.
HAMLET
294 Hear you, sir; 295 What is the reason that you use me thus? 296 I loved you ever: but it is no matter; 297 Let Hercules himself do what he may, 298 The cat will mew and dog will have his day.
Exit
KING CLAUDIUS
299 I pray you, good Horatio, wait upon him. Exit HORATIO To LAERTES 300 Strengthen your patience in our last night's speech; 301 We'll put the matter to the present push. 302 Good Gertrude, set some watch over your son. 303 This grave shall have a living monument: 304 An hour of quiet shortly shall we see; 305 Till then, in patience our proceeding be.